ABBA Super Troupers Exhibition
Southbank Centre - London UK
14 December 2017 - 29 April 2018
Yep,
that’s right. We’re getting set to go 'Head Over Heels' for all things
ABBA as we say 'Thank You For the Music' in an exhibition that will have
you clamouring to hand over your 'Money, Money, Money'. OK, we’ll stop
the puns and focus instead on the details of what’s set to be a truly
unique experience, pitching the Swedish supergroup against the news and
social events of 1970s Britain.
With
Entertainment Exhibitions International AB, and in association with
ABBA The Museum in Stockholm we’re bringing the world of the
chart-topping Swedish pop sensation to life in a brand new exhibition.
The immersive experience will chart the group’s music, lyrics, creative
process, and irrefutable influence as one of the most iconic pop bands
of the modern age.
ABBA: Super Troupers is a guided exhibition which goes beyond the surface of the group to transport you on a journey through previously unseen archive material including ABBA’s original costumes, handwritten notes and sketches, personal photographs, music and instruments. It will also feature album artwork, photography and film by notable collaborators such as film director Lasse Hallström.
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| Benny Andersson went full glam-rock with his look early on, but he was
never a fan of the platform shoe. On a 1979 tour of Europe and North
America, he wanted low-heeled boots the same colour as his glistening
white stage outfit, but none could be found. Abba’s enterprising crew
bought him these cheap cowboy numbers and painted them. Abba were a
thrifty band, using theatrical tricks rather than expensive details to
make their costumes work – and no one could see the paint-marks left by
the boots from the crowd. Off stage, Andersson ditched them for Fred
Perry plimsolls. * There seems to be an error here - we all know Benny wore these boots in 1977 ! |
ABBA: Super Troupers is a guided exhibition which goes beyond the surface of the group to transport you on a journey through previously unseen archive material including ABBA’s original costumes, handwritten notes and sketches, personal photographs, music and instruments. It will also feature album artwork, photography and film by notable collaborators such as film director Lasse Hallström.
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| One of the memorable costumes designed by Owe Sandström and worn by Frida Lyngstad and Agnetha Fältskog during the band’s Australian tour in 1977. |
For the first time, objects from ABBA The Museum and private archives will be brought together in the UK, charting the success of Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad, from their individual careers to that Eurovision Song Contest win and their subsequent international stardom.
ABBA: Super Troupers opens to the public on Thursday 14 December 2017 as part of our Wintertime festival, and the final month of Nordic Matters – a year-long programme of Nordic arts and culture here throughout 2017.
Come on a musical journey with Swedish pop sensation ABBA as they take over 1970s Britain in this one-of-a-kind exhibition.
Led by a personal tour guide and the voice of narrator Jarvis Cocker, we take you through nine immersive rooms exploring the music, lyrics and lives of one of the world’s most unforgettable bands.
Get
close to never-before-seen items from the band’s archive including
personal notes, memorabilia and iconic costumes. Chart their rise to
fame and lasting legacy; from their early pop explosion onto the British
music scene, to chart-topping international stardom.
Taking on 1970s Britain, in the midst of a financial crisis, a wave of strikes and a three-day working week, ABBA were a breath of fresh air, dominating the airwaves with their upbeat anthems channelling positivity and optimism.
ABBA: Super Troupers is presented by Southbank Centre in partnership with Entertainment Exhibitions International AB, in association with ABBA The Museum.
More details and bookings here:
https://www.southbankcentre.co.uk/blog/take-chance-abba-day-southbank-centre-december
Follow the updates in twitter here:
https://twitter.com/southbankcentre
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| Frida's hand-painted fox dress in green. |
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| Designer Owe Sandström made all of Abba’s costumes apart from the Waterloo outfits, many of them purely for photoshoots and videos, as the group rarely toured. In their career, they only spent three months away from home; both couples had young children, and their image travelled through magazines and promo clips. Abba never allowed famous designers to dress them. Frida was a talented seamstress, and got fully involved in fashion decisions, as did Agnetha Fältskog. This was Agnetha’s shirt, in her favourite colour, its hare hand-painted by an artist in their crew. |
Taking on 1970s Britain, in the midst of a financial crisis, a wave of strikes and a three-day working week, ABBA were a breath of fresh air, dominating the airwaves with their upbeat anthems channelling positivity and optimism.
ABBA: Super Troupers is presented by Southbank Centre in partnership with Entertainment Exhibitions International AB, in association with ABBA The Museum.
More details and bookings here:
https://www.southbankcentre.co.uk/blog/take-chance-abba-day-southbank-centre-december
Follow the updates in twitter here:
https://twitter.com/southbankcentre
 |
| Private jets were de
rigueur in the money-drizzled 1970s music business; Elton John even had
an organ on his. This Abba plane tells another story. An ordinary jet
for a company that only ran internal flights in Australia at the time,
it was branded by the company as a promotional tool. Inside was standard
seating with everyone in ordinary rows, the band, as ever, not
separated from their crew. This was the way Abba always toured, without
pomp. Their riders were also remarkably slim, only asking for post-show
drinks.
Photograph: Lena Maria Gårdenäs
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| Before Abba, Frida Lyngstad was a jazz singer. Here, she is with the Gunnar Sandevärn Orchestra, next to her first husband Ragnar Fredriksson, with whom she had two children. In 1967, she formed the Anni-Frid Four, won Sweden’s New Faces, and got a contract with EMI. Two years later, while divorcing Fredriksson, she entered the Eurovision heats, and met future husband Benny Andersson. In 1973, Abba tried Eurovision again, and failed. A year later, they entered with Waterloo - and won. |
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| As well as Frida, the
other three members also had impressive earlier musical lives. Fältskog
had a 1968 solo Swedish No 1, Jag Var Så Kär (I Was So in Love), and
performed in musicals (this was taken after her first night as Mary
Magdalene). Ulvaeus and Andersson were members of 60s groups the
Hootenanny Singers and the Hep Stars. They released their first album
together as a duo in 1970, but soon realised that their new girlfriends
were better singers than they were.
Photograph: © Bror Augustsson / Kamerareportage
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| This was taken by the boss of the UK Abba fan club, at a party in London to promote compilation album The Singles (all 23 are in the frame). Their manager, Stig Anderson, can be seen in the far left. The party also celebrated the band’s first 10 years together. Later that night, Ulvaeus and Andersson went to dinner with lyricist Tim Rice, to discuss the idea for a musical called Chess. A month later, Abba performed together for the last time, on the BBC’s Late Late Breakfast Show, saying they would split when making music ‘wasn’t fun any more’. Photograph: courtesy Lynne Chick, The Official British Abba Fan Club |
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| Just some of the many
thousands of items of fan mail received by the band over the course of
their 10-year history. The group’s international fan club is still going
strong today.
Photograph: All images photographed by Mikael Bodner. Courtesy of ABBA The Museum unless stated
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| Iconic brown leather headphones as worn by Frida & Agnetha. Photograph credit: Photo by Mikael Bodner. Courtesy of ABBA The Museum. |
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| Ring Ring Gold disc, celebrating 100,000 singles sold. Photograph credit: Photo by Mikael Bodner. Courtesy of ABBA The Museum. |
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| Abba were successful all over the world, but a 1980 arena concert in Japan proved their most surprising to date. Used to screaming, dancing fans, they found the crowd at Tokyo’s Budokan merely sitting and clapping, which worried Andersson. Later, the group found out that Japanese crowds at the time were unbelievably polite, often not doing anything without the artists granting permission. The next time Abba played there, the audience were told to get up straight away and start dancing. Normal service resumed. |
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Suitcase of Dr Olsson, who travelled with Abba on tour, late 1970sOne of Abba’s only touring indulgences was a tour doctor, a friend of their Swedish promoter, Thomas Johansson. He was treated in the same generous way as the rest of the crew, such as the band not starting aftershow dinners until everyone, including stage-riggers and roadies, was ready. Unsurprisingly, Dr Olsson loved touring life, especially as he was an ordinary GP when not on the road. He also enjoyed collecting stickers and tour paraphernalia. After he died, his family came to the museum offering his suitcase in his memory. |
With thanks to ABBA Info for additional images.
https://www.facebook.com/ABBA-Info-518817871463920/
